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The Terracotta Army or the “Terra Cotta Warriors and Horses”, is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. It is a form of funerary art buried with the emperor in 210–209 BC and whose purpose was to protect the emperor in his afterlife.
The figures, dating from 3rd century BC, were discovered in 1974 by some local farmers in Lintong District, Xi’an, Shaanxi province, near the Mausoleum of the First Qin Emperor The figures vary in height according to their roles, with the tallest being the generals. The figures include warriors, chariots and horses. Current estimates are that in the three pits containing the Terracotta Army there were over 8,000 soldiers, 130 chariots with 520 horses and 150 cavalry horses, the majority of which are still buried in the pits. Other terracotta non-military figures were also found in other pits and they include officials, acrobats, strongmen and musicians.
The Terracotta Army was discovered in the spring of 1974 to the east of Xi’an in Shaanxi province by a group of farmers when they were digging a water well around 1 mile (1.6 km) east of the Qin emperor’s tomb mound at Mount Li (Lishan), a region riddled with underground springs and watercourses Only a portion of the site is presently excavated, and photos and video recordings are prohibited in some viewing areas. Only a few foreign dignitaries, such as Queen Elizabeth II, have been permitted to walk through the pits to observe the army at close quarters.
The terracotta army figures were manufactured in workshops by government laborers and by local craftsmen, and the material used to make the terracotta warriors originated on Mount Li. The head, arms, legs and torsos were created separately and then assembled. Studies show that eight face moulds were most likely used, and then clay was added to provide individual facial features. Once assembled, intricate features such as facial expressions were added. It is believed that their legs were made in much the same way that terracotta drainage pipes were manufactured at the time.
This would make it an assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece and subsequently firing it. In those times of tight imperial control, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying that workshops that once made tiles and other mundane items were commandeered to work on the terracotta army. Upon completion, the terracotta figures were placed in the pits in precise military formation according to rank and duty.
The terracotta figures are life-sized. They vary in height, uniform and hairstyle in accordance with rank. Most originally held real weapons such as spears, swords, or crossbows. The figures were also originally painted with bright pigments, variously coloured in pink, red, green, blue, black, brown, white and lilac. The coloured lacquer finish, individual facial features, and actual weapons used in producing these figures created a realistic appearance. Most of the original weapons were thought to have been looted shortly after the creation of the army, or have rotted away, and the colour coating has flaked off or greatly faded. However, their existence serves as a testament to the amount of labor and skill involved in their construction.
A collection of 120 objects from the mausoleum and 20 terracotta warriors were displayed at the British Museum in London as its special exhibition “The First Emperor: China’s Terracotta Army” from 13 September 2007 to April 2008. This Terracotta Army exhibition made 2008 the British Museum’s most successful year ever, and made the British Museum the United Kingdom’s top cultural attraction between 2007 and 2008.
The exhibition also brought in the most visitors to the British Museum since the King Tutankhamun exhibition in 1972. It was reported that the initial batch of pre-bookable tickets to the Terracotta Army exhibition sold out so fast that the museum extended the exhibition until midnight on Thursdays to Sundays.According to The Times, many people had to be turned away from the exhibition, despite viewings until midnight. During the day of events to mark the Chinese New Year, the crush was so intense that the gates to the museum had to be shut. The Terracotta Army has been described as the only other set of historic artifacts (along with the remnants of ruins of the RMS Titanic) which can draw a crowd simply on the back of the name alone.
The exhibition has travelled to North America and visited museums such as the Bowers Museum in Santa Ana, California, Houston Museum of Natural Science, High Museum of Art in Atlanta, National Geographic Society Museum in Washington, D.C., and the Royal Ontario Museum in Toronto. Subsequently the exhibition travelled to Sweden and was hosted in the Museum of Far Eastern Antiquities between 28 August 2010 and 20 January 2011.
An exhibition entitled ‘The First Emperor – China’s Entombed Warriors’, presenting 120 artefacts from the First Emperor’s burial site, was hosted at the Art Gallery of New South Wales (Sydney, Australia), between 2 December 2010 and 13 March 2011. An exhibition entitled “L’Empereur guerrier de Chine et son armée de terre cuite” (“The Warrior-Emperor of China and his terracotta army”), featuring artifacts including statues from the First Emperor’s mausoleum, was hosted by the Montreal Museum of Fine Arts from 11 February 2011 to 26 June 2011.
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