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The Arch of Constantine is a triumphal arch in Rome, situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I’s victory over Maxentius at the Battle of Milvian Bridge on October 28, 312. Dedicated in 315, it is the latest of the existing triumphal arches in Rome, and the only one to make extensive use of spolia, re-using several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly-created for the arch.
The arch spans the Via Triumphalis, the way taken by the emperors when they entered the city in triumph. This route started at the Campus Martius, led through the Circus Maximus and around the Palatine Hill; immediately after the Arch of Constantine, the procession would turn left at the Meta Sudans and march along the Via Sacra to the Forum Romanum and on to the Capitoline Hill, passing both the Arches of Titus and Septimius Severus.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. It has three archways, the central one being 11.5 m high and 6.5 m wide, the lateral archways 7.4 m by 3.4 m each. The top (called attic) is brickwork reveted with marble. A staircase formed in the thickness of the arch is entered from a door at some height from the ground, in the end towards the Palatine Hill.
The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum. It has been suggested that the lower part of the arch is re-used from an older monument, probably from the times of the emperor Hadrian (Conforto et al., 2001; for a defence of the view that the whole arch was constructed in the 4th century, see Pensabene & Panella).
During the Middle Ages, the Arch of Constantine was incorporated into one of the family strongholds of ancient Rome. Works of restoration were First carried out in the 18th century; the last excavations have taken place in the late 1990s, just before the Great Jubilee of 2000. The arch served as the finish line for the marathon athletic event for the 1960 Summer Olympics.
The arch is a famous exemplar, almost invariably cited in surveys of art history, of the stylistic changes of the 4th century, and the “collapse of the classical Greek canon of forms during the late Roman period”. The contrast between the styles of the re-used Imperial reliefs of Trajan, Hadrian and Marcus Aurelius and those newly made for the arch is dramatic and, according to Ernst Kitzinger, “violent”, although it should be noted that where the head of an earlier emperor was replaced by that of Constantine the artist was still able to achieve a “soft, delicate rendering of the face of Constantine” that was “a far cry from the dominant style of the workshop”.
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