Glow of Hope, alternately titled “Woman With the Lamp”, may be a painting by S.L. Haldankar. The work was painted 1945–46 and is presently keep within the Sri Jayachamarajendra room at the Jaganmohan Palace in Mysore, India. The painting is presently on show on the second floor of the repository, in associate degree district with a draped window. The district is generally darkened, that highlights the subtlety of the glowing brass lamp within the piece. once the sunshine is turned on, the painting reveals remarkably delicate reminder pink and lavender within the woman’s dress. gap the enclave’s curtain results in yet one more distinct read of the painting, the natural light-weight exposing even additional delicate gradations and details.

The painting shows associate degree Indian girl holding a lighted lamp in one hand, the opposite hand covering the sunshine of the lamp from the front. the girl is in an exceedingly easy and ancient Indian frock. The result of the painting is heightened by the shadow of the girl within the back.

The painting is housed in an exceedingly special area at the Sri Jayachamarajendra room. it’s displayed in associate degree district with a draped window. The district is generally darkened, that highlights the subtlety of the glowing lamp within the painting. One will see within the dark the hand that is covering the candle — that is that the solely factor that’s giving out light-weight — is glowing terribly bright red, looks that it’s authentic ;her hand very looks to be glowing because of the lamp’s light-weight.

The woman World Health Organization is holding the coated lamp is Bhagavad-Gita Haldankar (now Smt. Bhagavad-Gita Krishnakant Uplekar), the third girl of the creator. She presently lives in Kolhapur town of geographical region State. On two Gregorian calendar month 2017 she turned 100[3]. She had four daughters and one son (Meena Shertukade, Lali Akojwar, Jyoti Shah, (Sandhya) Sonali Punatar, and Rajprakash Uplekar). The adult female had to remain within the perpetual position for 3 hours incessantly. moreover, he created this portrait with watercolours. He used this as his medium as a result of he wished to point out the globe that he will build a painting while not one mistake, not like the paint which may be corrected victimisation white paint. The painting is mimetic in approach, with no deliberate distortions.